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Ioannis Andronikidis is a graduate of the History and Archaeology department of theAristotle University of Thessaloniki and the Modern and Contemporary Art: History,Curating, and Criticism department of the Edinburgh College of Art. He is an ArtHistorian, Researcher and Writer currently based in Greece. His dissertation, Documented subjectivities, artistic autonomy, and the social register: critical analysisof Forensic Architecture’s vision, examines documentary and video-essay practices inrelation to subjectivity reproduction, aesthetics and politics, and the proposition forcommons. He is currently working on a research proposal around “politics of work andpublic space,” while writing a novel in Greek entitled Απεμπλοκή[Extrication] drawing on auto-fiction and psychogeography.

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